BeijingDazeTales of Live Music From Beijing's Mostly Underground Rock Scene..

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  • Sep
    13th
    Magic abounds at Mao for Zhaoze’s 1911 album launch

    18 mths ago I stumbled upon a Sunday show at Mao that started my love (or maybe obsession?) with Chinese post rock music. It was the album launch for Guangzhou based band Zhaoze’s album Cang Lang Xing, and was undoubtedly my show ofF the year for 2011, and also became my album of the year. Ever since that show I’ve been waiting (impatiently!) for them to come back to Beijing, especially after the release of their new album 1911 in December last year. Post rock veterens HuaLun were billed to open the show, but due to band issues that meant they also didn’t play at last weekend’s Indie China Anniversary, that duty was taken by local band Glow Curve. I’ve seen these guys play a lot recently, they seem to be the go to opening band for almost every post rock act touring right now. And that’s not a bad thing, their set is now entirely new songs, none of the tracks from the album BD & I reviewed last year and the new sound is really growing on me. The constant performing has made them really tight. They were recently signed to Modern Sky and I’m looking forward to seeing them headline their own album launch sometime soon! Zhaoze came on just before 10pm to an expectant crowd, by no means a full house, but considerably more people than last time I saw them. The crowd were drawn to the front of the stage as HZ welcomed them. After [...]

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  • May
    24th
    Yugong Yishan: Still The King.. and more award for 2 Kolegas, Temple, The Stable, Hot Club and Residence A

    a lot of happenings in town the last few week have kept me beyond busy with half a dozen unfinished reviews.. They’ll come out sooner or later! In the meantime, a few things have been happening: Yugong Yishan took home the award for Best Live music venue for both The Beijinger and City Weekend Awards. There’s not much that can be said other than Congratulations!! The past year, it’s been a bit better but I’ve also not gone there as much so I’ve had less chances to bitch about it. Still, they hosted Simple Plan, Grand Master Flash, Jorma and more whereas the other Beijing venues have struggled to get any big names that expats recognize. The win makes sense. 2 Kolegas continues to play second fiddle with both an editor’s award ( City Weekend) and an outstanding award ( Beijinger). I love the place and as they get to celebrate their 7th anniversary, I extend my thanks and best wishes to them. This year, they’ve upped the ante quite a bit with renovations, better planning, better promotion overall. They seem slightly more organized but just as fun and crazy as they ever were! See you over the weekend folks! Temple has arrived with a bang and is already making huge waves in Gulou… The place took home an outstanding mention at the Beijinger awards. The gang over there is putting all the venues on notice and forcing them to up their standards i hope. They got a good ear [...]

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  • Mar
    15th
    Free Music for the Masses: Beijing Post-Rock Compilation!

    For all the Post-Rock fans out there (BD, you’re excluded from this one!) local label 1724 records has put together a great little compilation album featuring 6 of the city’s Post-Rock bands: Illness Sickness, pentatonic, The Grinding Ear, Glow Curve, Sparrow and Hualun. You can grab the download for free, yes, FREE! on their bandcamp here. Or if you’re like me and have to have the physical CD in your hands, come along to Mao Livehouse tomorrow night to pick up a copy and see 4 of the bands on the compilation play!

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  • Feb
    13th
    Atmospheric soundscapes from Sweden’s Immanu El

    Friday saw the start of ‘Swedish weekend’ here in Beijing (and you didn’t even need to go to IKEA, although some of my friends actually did!) with Post Rockers Immanu El on Friday at Mao & Death Metal from Opeth Saturday at Tango (more coming on that later). It’s no secret I’m a post rock fan, so I was keen to hear the band who have been dubbed the next Sigur Ros. Glow Curve opened the show to a packed house at Mao, the crowd probably as eager as I was to see a big show after the two week musical drought of Chunjie. Since releasing their album last year Glow Curve have become, in my eyes at least, one of the best examples of Post Rock in this city, possibly even China. Definitely the perfect choice to be opening this show! Friends who hadn’t seen them before were commenting on how good they were, but to me they just seemed a little off their game tonight. Musicians out of synch with each other and a few off notes, but then I’m probably being overly critical because I do listen to their album a lot! They have a few shows coming up over the next couple of months, including Residence A’s album launch Feb 26th, so I’m looking forward to seeing them again soon. Immanu El came on next and the Swedish contingent was out in force to support their brothers. I don’t think I’ve ever seen so many blonde [...]

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  • Nov
    29th
    SS20 brings it on hardcore, Unregenerate Blood Confirms

    I’ve had this one pencilled in for a while now, ever since i got my hands on the double LP with Fanzui Xiangfa and SS20. Hardcore is not my preferred go-to kinda music but when it’s well done, it is definitely worth a listen. That holds especially true for old school hardcore a-la Black Flag. The bill was an interesting lineup with SS20, Unregenerate Blood along with pseudo-punks, Rui Wang Fen… 2 out of 3 ain’t bad as they say! We got there with J-Curls and the Fengman just in time to catch the last few songs from Unregenerate Blood who are proving to be one of the better and most interesting new bands on the scene. That is if you can still call them new considering they’ve been around since 2005 and can’t seem to get a break! They’re extremely solid in all phases of the game with frontman Li You stalking around the stage in an imaginary moshpit. I stood right next to him when Biohazard was playing intercity music festival.. he ain’t no poser! I love these kids and their genuine playing… it’s heavy, sharp, edgy and honest… that’s how i like my hardcore. Rui Wang Fen just didn’t do it for me.. come to think of it, neither J-curls nor the Feng-man seemed overly impressed by their performance. It as bland, uninspired, popish punk that is so freaking recyclable it’s not even funny. The crowd seemed to like and love them… I’m still wondering why! I’ll [...]

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  • Sep
    30th
    More Aussie tunes in the ‘Jing: Bone rock a sleepy Mao with Residence A & Yantiao

    Awhile ago I wrote about how Sino Australian Music Exchange is doing awesome things sending Chinese bands to Australia and Australasian bands to China. I saw my hometown boys Die! Die! Die! at D22 back then and this week I caught my second S.A.M.E. show with Perth-via-Melbs rockers Bone playing Mao Livehouse. I got there what I thought was early just after the scheduled start at 9pm to find Beijingers Yantiao already playing. I came across their name a while ago when they were opening for someone else I wanted to see, but ended up missing. They only have three songs on their douban, but it was enough for me to put them on my list of must-see bands, so I was excited to catch them opening for Bone. I’m on a bit of a post-rock kick right now and their music just fits in well with what I’m currently listening to. The vocals though didn’t really add anything for me, I think I’d prefer them to go instrumental, but hey, that’s just my opinion! If you haven’t seen them yet, they’re opening for their friends Pairs at Hot Cat this weekend. I’m looking to seeing them again so soon! Surprizingly Bone, the headliners, came on second in a line up of four bands, BD hadn’t even arrived at that point and I was worried he was going to miss them. He did make it in time, but wasn’t overly impressed saying their songs all sounded the same. They did [...]

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  • Aug
    13th
    Mao echoes with the sounds of the grasslands

    Sunday has become the new Friday for me this summer with the festivals and battle of the bands competitions taking up both weekend days. But I’ve also managed to pop into Mao on the occasional Sunday this year and stumbled across some low-key shows by great bands including Zhaoze, So Long & Thanks for the Fish and LiDong. Last Sunday Mao played host to Mongolian folksters Ajinai, with support from the Beijing Alchemists. Having survived the sweaty sauna of a SUBS mosh pit the night before at the Punk festival, it felt strange walking into that same room to see just a handful of devoted fans milling round the cool dark cavern of Mao. Beijing Alchemists opened the show with their mellow mix of English and Mongolian folk tunes. When I first saw these guys play around a year ago they trio was made up of an Englishman, an American and a Mongolian (Hugjiltu from Ajinai). In the past year the line-up has seen a few changes, Xinjiang rocker Jurat is now a regular member of the line-up, although he’s currently back in Xinjiang, so on Sunday Englishman Matt was joined by two Mongolian musicians. Their music is an eclectic mix of English, Chinese and Mongolian influenced folk, with each member taking turned to sing and lead the group. Unfortunately the space of Mao didn’t provide much on an atmosphere for this style of music, I’d recommend catching them in a smaller venue such as Jianghu or JiangJinJiu. Ajinai may [...]

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  • Apr
    18th
    Mezmerizing sounds from the southern Swamp: Guangzhou’s Zhaoze captivate at Mao

    On Friday night BD and I were enjoying WuFei’s performance at the Ephemerals show when he made the comment that he’s still getting his head around the guqin, still learning how it sounds and understanding to expect from it. I had to agree with him. I’ve seen WuFei perform 3 times now, by herself, with Abigail Washburn and with Hanggai, each time I find myself amazed by the sounds and tones that she brings out of this instrument. A few weeks ago I was lucky enough to catch Buyi at JiangJinJiu on ones of the rare occasions that Zhang Wei had his Guqin on stage. None of these shows could prepare me for what I experienced at Mao last night – it completely blew away anything I thought I knew about how this instrument could sound. Zhaoze (沼泽, The Swamp) are a 4 piece from Guangzhou, who have been performing together since 1993. I thought they said during the show it was only their second visit to Beijing – but I’ve since been corrected (yes, my Chinese is not great!) that they have ventured up to the Capital a few times for shows and also festivals including last year’s Midi and also Modern Sky where my buddy Froog happened to catch them and was very impressed. Rock in China Wiki describes their sound as ‘electronic and psychedelic, combined with progressive rock, post rock, and avant-garde electronic music to produce detail, touching, passionate, and boundless tension in the everlasting sadness.” But [...]

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  • Mar
    7th
    Beautiful folk to end the weekend @ Mao

    We love SUBS here at Daze Central, so when we heard Kang Mao has a new project in the works we were excited to hear what she was up to. I managed to pop into Beautiful Folk night at Mao on Sunday night for the debut of ‘So long and thanks for all the Fish‘ In true Mao fashion the show kicked off on time, so we missed the first couple of songs from indie chick Wu Yongfeng. It was a little bit of a slow start for the night, not many people in the house and most of them talking over her. She has a beautiful voice and was accompanied by a friend on guitar. If you like indie-pop check out her douban page. Platanus was up second, more indie pop/folk accompanied by acoustic guitar. I’m not an indie girl, so he wasn’t really doing anything for me, especially when he covered ‘Yesterday” … I was just waiting for ‘Hotel California’ to come next, but luckily he didn’t go there! So after two nice inoffensive indie-pop acts it was time for the band I’d come to see So Long and Thanks for All the Fish with Kang Mao and Wu Hao from SUBS and another guy, whose name I didn’t catch. Last time I saw Kang Mao perform was at the Mao Awards a couple of weeks ago and she was wearing leopard print bodysuit complete with hood. Not many people can pull off an outfit like that, but [...]

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  • Nov
    2nd
    Mao Pre Halloween: GAWTMY’s final? stand, Nanwu confirms and other tidbits

    There were a few shows taking place this past friday in Beijing and some were quite high profile.. that said, I couldn’t not go to Mao Live for their pre-halloween bash once i heard that there was a good chance it might be Girls Are Waiting to Meet You’s last performance for a long time/ever. Continuing the trend of decent attendance at Mao, there were a good 300+ people when I got there with GAWTMY having barely gotten started.. funny how things have changed since the first time i saw the band! The only survivors in the lineup are Donna ( drums), Bing ( Bass) and Kirsten ( Violin) with another 10 people have played in the band at some point or another. The band members were decked out in full zombie regalia and put on what I would consider their finest performance with Aaron on vocals.. ever.. They played their usual songs with a few variations and one thing i remember thinking is how they sounded heavier on a few classics, especially with Dave’s guitar that could have been described as overly aggressive.. really liked it! This variation of the lineup with 5 persons works best so far and is definitely something to consider should they decide to get the band back together. Not There was up next and I took that opportunity to sneak out and get some food. I didn’t like their “experimental” side or the instrumental aspect of it all, especially not after that amazing GAWTMY [...]

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